A SCHOLARLY BOOK REPOSITORY1416 start with P start with P
Parenting today is virtually synonymous with worry. We want to ensure that our children are healthy, that they get a good education, and that they grow up to be able to cope with the challenges of modern life. In our anxiety, we are keenly aware of our inability to know what is best for our children. When should we toilet train? What is the best way to encourage a fussy child to eat? How should we protect our children from disease and injury?
Before the nineteenth century, maternal instinct—a mother’s “natural know-how”—was considered the only tool necessary for effective childrearing. Over the past two hundred years, however, science has entered the realm of motherhood in increasingly significant ways. In Perfect Motherhood, Rima D. Apple shows how the growing belief that mothers need to be savvy about the latest scientific directives has shifted the role of expert away from the mother and toward the professional establishment. Apple, however, argues that most women today are finding ways to negotiate among the abundance of scientific recommendations, their own knowledge, and the reality of their daily lives.
- Agnew's exclusive choices on which beers to try at each location
- Entries on every brewery's history and philosophy
- Information on tours, tasting rooms and attached pubs, and dining options and other amenities
- A survey of each brewery's brands, including its flagship beer plus seasonal brews and special releases
- Brewery equipment and capacity
- Nearby attractions
In addition, Agnew sets the stage with a history of Midwestern beer spanning the origins of the immigrant brewers who arrived in the 1800s to the homebrewers-made-good who have built a new kind of brewing culture founded on creativity, dedication to quality, and attention to customer feedback.
Informed and unique, A Perfect Pint's Beer Guide to the Heartland is the essential companion for beer aficionados and curious others determined to drink the best the Midwest has to offer.
Includes more than 150 full color images, including the region's most distinctive beer labels, trademarks, and company logos.
Accepted for generations as a legitimate and functional part of Byzantine civilization, eunuchs were prominent in both the imperial court and the church. They were distinctive in physical appearance, dress, and manner and were considered uniquely suited for important roles in Byzantine life. Transcending conventional notions of male and female, eunuchs lived outside of normal patterns of procreation and inheritance and were assigned a unique capacity for mediating across social and spiritual boundaries. This allowed them to perform tasks from which prominent men and women were constrained, making them, in essence, perfect servants.
Written with precision and meticulously researched, The Perfect Servant will immediately take its place as a major study on Byzantium and the history of gender.
Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness.
Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.
In Perfectly Average, Anna Creadick investigates how and why "normality" reemerged as a potent homogenizing category in postwar America. Working with scientific studies, material culture, literary texts, film, fashion, and the mass media, she charts the pursuit of the"normal" through thematic chapters on the body, character, class, sexuality, and community.
Creadick examines such evidence as the "Norm and Norma" models produced during the war by sexologists and anthropologists—statistical composites of"normal" American bodies. In 1945, as thousands of Ohio women signed up for a Norma Look-Alike contest, a "Harvard Study of Normal Men" sought to define the typical American male according to specific criteria, from body shape to upbringing to blood pressure. By the early 1950s, the "man in the gray flannel suit" had come to symbolize what some regarded as the stultifying sameness of the "normalized" middle class. Meanwhile, novels such as From Here to Eternity and Peyton Place both supported and challenged normative ideas about gender, race, and sexuality, even as they worked to critique the postwar culture of surveillance—watching and being watched—through which normalizing power functioned.
As efforts to define normality became increasingly personal, the tensions em-bedded in its binary logic multiplied: Was normal descriptive of an average or prescriptive of an ideal? In the end, Creadick shows, a variety of statistics, assumptions, and aspirations converged to recast "normality" not as something innate or inborn, but rather as a quality to be actively pursued—a standard at once highly seductive and impossible to achieve because it required becoming perfectly average.
The idea that gender is a performance—a tenet of queer feminist theory since the nineties—has spread from college classrooms to popular culture. This transformative concept has sparked reappraisals of social expectations as well as debate over not just gender, but sex: what it is, what it means, and how we know it. Most scientific and biomedical research over the past seventy years has assumed and reinforced a binary concept of biological sex, though some scientists point out that male and female are just two outcomes in a world rich in sexual diversity.
In Performance All the Way Down, MacArthur Fellow and Pulitzer Prize finalist Richard O. Prum brings feminist thought into conversation with biology, arguing that the sexual binary is not essential to human genes, chromosomes, or embryos. Our genomes are not blueprints, algorithms, or recipes for the physical representation of our individual sexual essences or fates. In accessible language, Prum shows that when we look closely at the science, we see that gene expression is a material action in the world, a performance through which the individual regulates and achieves its own becoming. A fertilized zygote matures into an organism with tissues and organs, neurological control, immune defenses, psychological mechanisms, and gender and sexual behavior through a performative continuum. This complex hierarchy of self-enactment reflects the evolved agency of individual genes, molecules, cells, and tissues.
Rejecting the notion of an intractable divide between the humanities and the sciences, Prum proves that the contributions of queer and feminist theorists can help scientists understand the human body in new ways, yielding key insights into genetics, developmental biology, physiology. Sure to inspire discussion, Performance All the Way Down is a book about biology for feminists, a book about feminist theory for biologists, and a book for anyone curious about how our sexual bodies grow.
The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew’s A Beautiful Country in a high-school auditorium in Los Angeles’s Chinatown; and Latino performer John Leguizamo’s one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined.
A saying in Mexico City is “quien domina el centro, domina el país” (whoever dominates the center, dominates the country) as the Zócalo continues to act as the performative embodiment of Mexican society. This book highlights how particular performances build upon each other by recycling past architectures and performative practices for new purposes. Ana Martínez discusses the singular role of collective memory in creating meaning through space and landmarks, providing a new perspective and further insight into the problem of Mexico’s relationship with its own past. Rather than merely describe the commemorations, she traces the relationship between space and the invention of a Mexican imaginary. She also explores how indigenous communities, Mexico’s alienated subalterns, performed as exploited objects, exotic characters, and subjects with agency. The book’s dual purposes are to examine the Zócalo as Mexico’s central site of performance and to unmask, without homogenizing, the official discourse regarding Mexico’s natives. This book will be of interest for students and scholars in theater studies, Mexican Studies, Cultural Geography, Latinx and Latin American Studies.
For Dening, history saturates every moment of our cultural and personal existence. Yet he is keenly aware that the actual past remains fundamentally irreplicable. All histories are culturally crafted artifacts, commensurate with folk tales, stage plays, or films. Whether derived from logbooks and letters, or displayed on music hall stages and Hollywood back lots, history is in essence our making sense of what has and continues to happen, creating for us a sense of our cultural and individual selves.
Through juxtapositions of actual events and creative reenactments of them—such as the mutiny on the Bounty in 1787 and the various Hollywood films that depict that event—Dening calls attention to the provocative moment of theatricality in history making where histories, cultures, and selves converge. Moving adeptly across varied terrains, from the frontiers of North America to the islands of the South Pacific, Dening marshals a striking array of diverse, often recalcitrant, sources to examine the tangled histories of cross-cultural clash and engagement. Refusing to portray conquest, colonization, and hegemony simply as abstract processes, Dening, in his own culturally reflexive performance, painstakingly evokes the flesh and form of past actors, both celebrated and unsung, whose foregone lives have become our history.
Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.
For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.
Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.
The concentration camp and Jewish ghetto at Terezín, or Theresienstadt, in what is now the Czech Republic, was a site of enormous suffering, fear, and death. But amid this horrific period, there was also a thriving and desperately vibrant cultural life. While the children’s drawings and musical pieces created in the ghetto have become justly famous, the prisoners’ theatrical works, though a lesser-known aspect of their artistic endeavors, deserves serious attention as well.
Performing Captivity, Performing Escape collects twelve theatrical texts—cabaret songs and sketches, historical and verse dramas, puppet plays, and a Purim play—written by Czech and Austrian Jews. Together these works reveal the wide range of ways in which the prisoners engaged with and escaped from life in the ghetto through performance. The anthology opens with an insightful prologue by novelist Ivan Klíma, who was interned in the ghetto as a child and contains a detailed introduction by editor Lisa Peschel about the pre-war theatrical influences and wartime conditions that inspired the theater of the ghetto. The array of theatrical forms collected in this anthology speaks of the prisoners’ persistence of hope in a harrowing time and will be a moving read for students and scholars of the Holocaust.
Interdisciplinary in approach and wide-ranging in scope, Performing Environmentalisms is an engaging look at the merger of cultural expression and environmental action on the front lines of today's global emergency.
Contributors: Aaron S. Allen, Eduardo S. Brondizio, Assefa Tefera Dibaba, Rebecca Dirksen, Mary Hufford, John Holmes McDowell, Mark Pedelty, Jennifer C. Post, Chie Sakakibara, Jeff Todd Titon, Rory Turner, Lois Wilcken
In a world where exiled populations continue to grow, the role of art to document and engage with these experiences will continue to be essential, and this diverse book offers an important model for understanding the rich body of work being created today.
A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.
A kaleidoscopic consideration of transnational culture and performance
Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural “hybridity.” The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere.
Contributors use forms such as the essay, poem, photography, and case study to examine historically specific cases in which the notion of hybridity recasts our ideas of identity and performance: the struggle for Aboriginal land rights in Australia; Bahian carnival; the creolization and pidginization of language in the Caribbean world; queer videos; and others. Contributors: Meena Alexander, CUNY; Awam Amkpa, Mount Holyoke; Tony Birch; Barbara Browning, New York U; Manthia Diawara, New York U; Fiona Foley; Sikivu Hutchinson; Deborah A. Kapchan, U of Texas; Toby Miller, New York U; Shani Mootoo; Fred Moten, U of California, Santa Barbara; José Esteban Muñoz, New York U; Chon A. Noriega, UCLA; Celeste Olalquiaga; Ella Shohat, CUNY; Robert Stam, New York U.
In the highland region of Sullk'ata, located in the rural Bolivian Andes, habitual activities such as sharing food, work, and stories create a sense of relatedness among people. Through these day-to-day interactions—as well as more unusual events—individuals negotiate the affective bonds and hierarchies of their relationships. In Performing Kinship, Krista E. Van Vleet reveals the ways in which relatedness is evoked, performed, and recast among the women of Sullk'ata.
Portraying relationships of camaraderie and conflict, Van Vleet argues that narrative illuminates power relationships, which structure differences among women as well as between women and men. She also contends that in the Andes gender cannot be understood without attention to kinship.
Stories such as that of the young woman who migrates to the city to do domestic work and later returns to the highlands voicing a deep ambivalence about the traditional authority of her in-laws provide enlightening examples of the ways in which storytelling enables residents of Sullk'ata to make sense of events and link themselves to one another in a variety of relationships. A vibrant ethnography, Performing Kinship offers a rare glimpse into an compelling world.
Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. In particular, she locates the analytical lenses of feminist theory and queer theory in a central position to interrogate Mexican female dissident sexualities in transnational public culture.
This is the first book-length study to wed performance studies and queer theory in examining the performative/performance work of important contemporary Mexicana and Chicana cultural workers. It proposes that the creations of several important artists—Chicana visual artist Alma López; the Mexican political cabareteras Astrid Hadad, Jesusa Rodríguez, Liliana Felipe, and Regina Orozco; the Chicana performance artist Nao Bustamante; and the Mexican video artist Ximena Cuevas—unsettle heterosexual national culture. In doing so, they are not only challenging heterosexist and nationalist discourses head-on, but are also participating in the construction of a queer world-making project. Treating the notion of dis-comfort as a productive category in these projects advances feminist and queer theories by offering an insightful critical movement suggesting that queer worlds are simultaneously spaces of desire, fear, and hope.
Gutiérrez demonstrates how arenas formerly closed to female performers are now providing both an artistic outlet and a powerful political tool that crosses not only geographic borders but social, sexual, political, and class boundaries as well, and deconstructs the relationships among media, hierarchies of power, and the cultures of privilege.
Focusing on four projects from one of Mexico’s most significant contemporary theatre companies, La Máquina de Teatro, directed by renowned artists Juliana Faesler and Clarissa Malheiros, this study documents the rigorous performances of layered, plural, and trans identities as collaborative, feminist, and queer re-visions of official histories and collective memories, using ideas of scenarios, archives, and remains. Illustrated with over 100 color photos, Performing Palimpsest Bodies will appeal to artists and scholars interested in contemporary theatre and performance studies, critical dance studies, and collective creation.
In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, “repented” from “sinful” activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilitating the return of artists as veiled actresses or religiously committed performers.
Revisiting the story she began in “A Trade like Any Other”: Female Singers and Dancers in Egypt, Karin van Nieuwkerk draws on extensive fieldwork among performers to offer a unique history of the religious revival in Egypt through the lens of the performing arts. She highlights the narratives of celebrities who retired in the 1980s and early 1990s, including their spiritual journeys and their influence on the “pietization” of their fans, among whom are the wealthy, relatively secular, strata of Egyptian society. Van Nieuwkerk then turns to the emergence of a polemic public sphere in which secularists and Islamists debated Islam, art, and gender in the 1990s. Finally, she analyzes the Islamist project of “art with a mission” and the development of Islamic aesthetics, questioning whether the outcome has been to Islamize popular art or rather to popularize Islam. The result is an intimate thirty-year history of two spheres that have tremendous importance for Egypt—art production and piety.
Performing Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.
Klaver applies post-structuralist theories of subjectivity to drama while ranging through Beckett’s plays, National Hockey League games, “The Tonight Show,” gay and lesbian drama, minority drama, avant-garde performance, and the topics of theatrical paranoia, the mediatized Imaginary, and the spectatorial gaze.
As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself—musical and otherwise—as key to understanding both nation-building and interpersonal power dynamics.
Performing the News: Identity, Authority, and the Myth of Neutrality explores a problem that is often overlooked in discourse on diversity, equity, and inclusion: Journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting, and those who shape their performance, the author suggests ways to make journalism more inclusive and representative of diverse audiences.
Fahamista Patricia Brown examines elements of African American expressive culture- its language practices, both fold and popular. Her book is an excellent introduction to a diverse group of poets and the common basis of their work in language practices and performativity, in the expressive culture of a people. Performing the Word is an important contribution to the understanding of African American culture and American poetry as a whole.
Despite being told that we now live in a cosmopolitan world, more and more people have begun to assert their identities in ways that are deeply rooted in the local. These claims of autochthony—meaning “born from the soil”—seek to establish an irrefutable, primordial right to belong and are often employed in politically charged attempts to exclude outsiders. In The Perils of Belonging, Peter Geschiere traces the concept of autochthony back to the classical period and incisively explores the idea in two very different contexts: Cameroon and the Netherlands.
In both countries, the momentous economic and political changes following the end of the cold war fostered anxiety over migration. For Cameroonians, the question of who belongs where rises to the fore in political struggles between different tribes, while the Dutch invoke autochthony in fierce debates over the integration of immigrants. This fascinating comparative perspective allows Geschiere to examine the emotional appeal of autochthony—as well as its dubious historical basis—and to shed light on a range of important issues, such as multiculturalism, national citizenship, and migration.
The Perils of Populism shows how a feminist lens can help diagnose the factors behind the global rise of right-wing populism and teach us how to resist the threat it presents to democracy. Featuring interdisciplinary essays about politics in the United States, the Middle East, Europe, and India from a variety of acclaimed theorists and activists, the volume contributes to a rapidly expanding literature on gender and the far right. Together, these chapters offer a truly intersectional analysis of the problem, addressing everything from how populism has thrived in a “post-truth” era to the ways it appeals to working-class voters looking for an alternative to neoliberalism. Yet the authors also find reasons to be hopeful, as they showcase forms of grassroots feminist activism that challenge right-wing populism by advocating for racial and economic justice.
The precarious situation in the successor states of Yugoslavia created a specific dynamic in the field of labor mobility. Still, little research has been done in this region on how women, who are older care workers from Serbia or Bosnia commute—often via illegal border crossings—to German households to look after the elderly. In Peripheral Labor Mobilities, Tanja Višic explores this gender-specific migration pattern in the first expansive ethnography of contemporary cross-border elder care in this region. She takes up questions about how the mobility and work practices of women are integrated into the socio-economic networks of the informal care work sector while also looking at worker confrontations with labor laws and border regimes. Illustrative case studies clearly detail culturally specific patterns of perception of care work, family relationships, and the mobility demanded by these labor arrangements.
Lisa Wedeen, who spent a year and a half in Yemen observing and interviewing its residents, argues that national solidarity in such weak states tends to arise not from attachments to institutions but through both extraordinary events and the ordinary activities of everyday life. Yemenis, for example, regularly gather to chew qat, a leafy drug similar to caffeine, as they engage in wide-ranging and sometimes influential public discussions of even the most divisive political and social issues. These lively debates exemplify Wedeen’s contention that democratic, national, and pious solidarities work as ongoing, performative practices that enact and reproduce a citizenry’s shared points of reference. Ultimately, her skillful evocations of such practices shift attention away from a narrow focus on government institutions and electoral competition and toward the substantive experience of participatory politics.
A new exploration of how digital media assert the relevance of dance in a wired world
How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance’s digital travels might mean for how we experience and express community.
From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.
During the first and second millennia BCE a swathe of nomadic peoples migrated outward from Central Asia into the Eurasian periphery. One group of these people would find themselves encamped in an unpromising, arid region just south of the Caspian Sea. From these modest and uncertain beginnings, they would go on to form one of the most powerful empires in history: the Persian Empire. In this book, Geoffrey and Brenda Parker tell the captivating story of this ancient civilization and its enduring legacy to the world.
The authors examine the unique features of Persian life and trace their influence throughout the centuries. They examine the environmental difficulties the early Persians encountered and how, in overcoming them, they were able to develop a unique culture that would culminate in the massive, first empire, the Achaemenid Empire. Extending their influence into the maritime west, they fought the Greeks for mastery of the eastern Mediterranean—one of the most significant geopolitical contests of the ancient world. And the authors paint vivid portraits of Persian cities and their spectacular achievements: intricate and far-reaching roadways, an astonishing irrigation system that created desert paradises, and, above all, an extraordinary reflection of the diverse peoples that inhabited them.
Anthropologist James R. Welch transparently presents ethnographic insights from his long-term fieldwork in two A’uwẽ communities. He addresses how distinctive constructions of age organization contribute to social well-being in an era of major ecological, economic, and sociocultural change. Welch shows how A’uwẽ perspectives on the human life cycle help define ethnic identity, promote cultural resilience, and encourage the betterment of youth. They provide frameworks that people may creatively mobilize to responsibly and respectfully engage with others at different stages of life. They also motivate people to access and manage landscape resources essential to the social construction of good living. Through careful analysis, Welch shows how contemporary traditional peoples can foster enthusiasm for service to family and community amid dominant cultures that prioritize individual well-being.
This book is an essential resource for students and scholars interested in sociocultural anthropology, Indigenous cultures, health and culture, and human ecology.
The Persistence of Slavery provides an invaluable investigation into the origins of modern slavery and early efforts to combat it, locating this practice in the political, social, and economic changes that occurred as a result of British colonialism and its lingering effects, which perpetuate child trafficking in Nigeria today.
Contributors:
William Y. Adams
George Pierre Castile
N. Ross Crumrine
Timothy Dunnigan
Charles J. Erasmus
Frederick J. E. Gorman
Vera M. Green
William B. Griffen
Robert C. Harman
Mark P. Leone
Janet R. Moone
John van Willigen
Willard Walker
The book charts the development of the style blogosphere and its transformation from an alternative, experimental space to one dominated by the fashion industry. Complete with examples of several famous fashion bloggers, such as Susie Lau, Rumi Neely, and Tavi Gevinson, the author explores notions of individuality, aesthetics, and performance on both sides of the digital platform. Findlay asks: what can style blogging teach us about women’s writing and the performance of a private self online? And what drives style bloggers to carve a space for themselves online?
Yet that realization hasn’t yet made its presence felt to any great degree in our most intimate relationship with animals: at the dinner table. Sure, there are vegetarians and vegans all over, but at the same time, meat consumption is up, and meat remains a central part of the culinary and dining experience for the majority of people in the developed world.
With Personalities on the Plate, Barbara King asks us to think hard about our meat eating--and how we might reduce it. But this isn’t a polemic intended to convert readers to veganism. What she is interested in is why we’ve not drawn food animals into our concern and just what we do know about the minds and lives of chickens, cows, octopuses, fish, and more. Rooted in the latest science, and built on a mix of firsthand experience (including entomophagy, which, yes, is what you think it is) and close engagement with the work of scientists, farmers, vets, and chefs, Personalities on the Plate is an unforgettable journey through the world of animals we eat. Knowing what we know--and what we may yet learn--what is the proper ethical stance toward eating meat? What are the consequences for the planet? How can we life an ethically and ecologically sound life through our food choices?
We could have no better guide to these fascinatingly thorny questions than King, whose deep empathy embraces human and animal alike. Readers will be moved, provoked, and changed by this powerful book.
Pyschological anthropology is a vital area of contemporary social science, and one of the field's most important and innovative thinkers is Melford E. Spiro. This volume brings together sixteen essays that review Spiro's theoretical insights and extend them into new areas. The essays center on several general problems: In what ways is it meaningful to speak of a social act as having "functions"? What elements and processes of human personality are universal, and why? What is the relationship between religion and personality? Why? What are the pyschological underpinnings of social manipulation?
Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons.
In Persons and Things, Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds.
The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us.
In this volume, a diverse group of scholars explores key themes in the distinctive history of Milwaukee, from settlement to the present, both in terms of the area's internal development and its comparative standing with other Great Lakes cities. Contributors discuss the importance of socialism and labor in local politics; Milwaukee's ethnic diversity, including long-standing African American, Latino, and Asian communities as well as an unusually large and significant German American population; the function and origins of the city's residential architecture; and the role of religious and ethnic culture in forming the city's identity. Rich in detail, the essays also challenge readers and researchers to pursue additional research on the city and the region by identifying critical areas and methods for future investigations into Milwaukee's past.
Contributors are Margo Anderson, Steven M. Avella, John D. Buenker, Jack Dougherty, Eric Fure-Slocum, Victor Greene, Thomas C. Hubka, Judith T. Kenny, Genevieve G. McBride, Aims McGuinness, Anke Ortlepp, Joseph A. Rodriguez, and N. Mark Shelley.
How does prehistoric material get from its place of origin to its location of archaeological recovery? While this question may seem basic, a moment’s reflection suggests that the answers carry important implications for arc-haeological interpretation about social organization, settlement, and subsistence practices. Archaeologists know much about the temporal and spatial distribution of materials in prehistoric western North America, but comparatively little has emerged regarding the causes of such distributions. Trade and exchange, mobility, and direct access all have been credited with observed distributions, but the reasons for settling on specific behavioral linkages is rarely made clear.
This volume investigates the circumstances and conditions under which trade/exchange, direct access, and/or mobility best account for material conveyance across varying distances at different times in the past. Each chapter contextualizes distributional and chemical data, evaluates competing distribution hypotheses, and addresses the reasoning and inferences employed to arrive at conclusions about the human behaviors responsible for the distributions of materials. Contributors showcase a range of diverse and creative ways of thinking about these issues in the California and Great Basin archaeological record, and why it matters.
Persuasive Acts: Women’s Rhetorics in the Twenty-First Century gathers an expansive array of voices and texts from well-known figures including Hillary Rodham Clinton, Malala Yousafzai, Michelle Obama, Lindy West, Sonia Sotomayor, and Chimamanda Ngozi Adichie, so that readers may converse with them, and build rhetorics of their own. Editors Shari J. Stenberg and Charlotte Hogg have complied timely and provocative rhetorics that represent critical issues and rhetorical affordances of the twenty-first century.
The Persuasive Power of Campaign Advertising offers a comprehensive overview of political advertisements and their changing role in the Internet age. Travis Ridout and Michael Franz examine how these ads function in various kinds of campaigns and how voters are influenced by them.
The authors particularly study where ads are placed, asserting that television advertising will still be relevant despite the growth of advertising on the Internet. The authors also explore the recent phenomenon of outrageous ads that "go viral" on the web-which often leads to their replaying as television news stories, generating additional attention.
It also features the first analysis of the impact on voters of media coverage of political advertising and shows that televised political advertising continues to have widespread influence on the choices that voters make at the ballot box.
Alcalde draws on interviews, surveys, participant observation, and textual analysis to argue that to belong is to exclude. To that end, transnational Peruvians engage in both subtle and direct policing along the borders of belonging. These acts allow them to claim and maintain the social status they enjoyed in their homeland even as they profess their openness and tolerance. Alcalde details these processes and their origins in Peru's gender, racial, and class hierarchies. As she shows, the idea of return—whether desired or rejected, imagined or physical—spurs constructions of Peruvianness, belonging, and home.
Deeply researched and theoretically daring, Peruvian Lives across Borders answers fascinating questions about an understudied group of migrants.
In Peruvian Street Lives, Seligmann argues that the sometimes invisible and informal economic, social, and political networks market women establish may appear disorderly and chaotic, but in fact often keep dysfunctional economies and corrupt bureaucracies from utterly destroying the ability of citizens to survive from day to day. Seligmann asks why the constructive efforts of market women to make a living provoke such negative social perceptions from some members of Peruvian society, who see them as symbols and actual catalysts of social disorder. At the same time, Seligmann shows how market women eke out a living, combat discrimination, and transgress racial and gender ideologies within the rich and expressive cultural traditions they have developed.
In Pervasive Prejudice? Ian Ayres confronts these questions and more. In a series of important studies he finds overwhelming evidence that in a variety of markets—retail car sales, bail bonding, kidney transplantation, and FCC licensing—blacks and females are consistently at a disadvantage. For example, when Ayres sent out agents of different races and genders posing as potential buyers to more than 200 car dealerships in Chicago, he found that dealers regularly charged blacks and women more than they charged white men. Other tests revealed that it is commonly more difficult for blacks than whites to receive a kidney transplant because of federal regulations. Moreover, Ayres found that minority male defendants are frequently required to post higher bail bonds than their Caucasian counterparts.
Traditional economic theory predicts that free markets should drive out discrimination, but Ayres's startling findings challenge that position. Along with empirical research, Ayres offers game—theoretic and other economic methodologies to show how prejudice can enter the bargaining process even when participants are supposedly acting as rational economic agents. He also responds to critics of his previously published studies included here. These studies suggest that race and gender discrimination is neither a thing of the past nor merely limited to the handful of markets that have been the traditional focus of civil rights laws.
The seat of the soul, the center of legends, the pulsing middle of cults and cultural taboos: the heart has a history as long and complex, and often as sordid, as that of the secret life it once signified. And this is the history that Milad Doueihi tells in a book that follows the adventures of the human heart through custom, legend, religion, and literature from antiquity to early modern times.
Most prominent, and macabre, in this history is the account of the eaten heart, beginning with the myth of Dionysos, who was kidnapped and devoured by the Titans. Doueihi shows us, from the Middle Ages through the seventeenth century, strange tales combining a cuisine of the macabre with the devotion of the lover, in which a jealous husband serves his unwitting wife the heart of her murdered lover. Beyond the tensions of courtly love, manifest in the Lai d'Ignaure, the Roman du Chatelain du Coucy, and works by Dante and Boccaccio, Doueihi evokes the image of the devoured heart invoked in Francis Bacon's Essay on Friendship.
Not to be outdone by literature and legend, religion, particularly in the theology of the Sacred Heart, takes its place in this story, exerting its influence on the legend of the eaten heart, with stories of perverse consumption coming to be explained in terms of the mystery of the Eucharist, the magical and mystical consumption of the body of Christ. Finally, with the discovery of physiology and the emerging science of blood circulation, the heart loses its symbolic place--though Doueihi leaves us with the possible marriage of mysticism and science that Pascal's descriptions of intuitive intelligence open up for the heart.
Unsentimental about his education, Farred’s critique recognizes the impact of four exceptional teachers—all engaging pedagogical figures who cultivated a great sense of possibility in how thinking could be learned through a disenfranchised South African education.
The Perversity of Gratitude brings to bear the work of influential philosophers such as Martin Heidegger and Jacques Derrida. The book tackles broad philosophical concepts—transgression, withdrawal, and the dialectic. This leads to the creation of a new concept, “the diaspora-in-place,” which Farred explains, “is having left a place before one physically removes oneself from this place.”
Farred’s apartheid education in South Africa instilled in him a lifelong commitment to learning thinking. “And for that I am grateful,” Farred writes in The Perversity of Gratitude. His autopoiesis is sure to provoke and inspire readers.
One of the most creative periods of Russian culture and the most energized period of the Revolution coincided in the fateful years 1913–1931. During this time both the Party and the intellectuals of Petersburg strove to transform backward Russia into a nation so advanced it would shine like a beacon for the rest of the world. Yet the end result was the Stalinist culture of the 1930s with its infamous purges.
In this new book, Katerina Clark does not attempt to account for such a devolution by looking at the broad political arena. Rather, she follows the quest of intellectuals through these years to embody the Revolution, a focus that casts new light on the formation of Stalinism. This revisionist work takes issue with many existing cultural histories by resisting the temptation to structure its narrative as a saga of the oppressive regime versus the benighted intellectuals. In contrast, Clark focuses on the complex negotiations between the extraordinary environment of a revolution, the utopian striving of both politicians and intellectuals, the local culture system, and that broader environment, the arena of contemporary European and American culture. In doing so, the author provides a case study in the ecology of cultural revolution, viewed through the prism of Petersburg, which on the eve of the Revolution was one of the cultural capitals of Europe. Petersburg today is in the national imagination of modern Russia, a symbol of Westernization and radical change.
The Nabataean Arabs, one of the most gifted peoples of the ancient world, are today known only for their hauntingly beautiful rock-carved capital--Petra. Here, in the wild and majestic landscapes of southern Jordan, they created some of the most prodigious works of man in the vast monuments that they chiseled from the sandstone mountains. The very scale of their achievement is breathtaking, but beyond mere magnitude is their creative vision, for they transformed the living rock of Petra into an enduring architectural masterpiece.
For nearly two thousand years, their civilization has been lost and all but forgotten. Yet the Nabataeans were famous in their day--Herod the Great and his sons, and a kaleidoscope of Roman emperors, were keenly aware of their power and wealth. Often victims of Greek, Roman, or Herodian duplicity, murder, and power politics, the Nabataeans were major players in the drama of the Middle East in biblical times.
This richly illustrated volume recounts the story of a remarkable but lost civilization and the capacity of its people to diversify their skills as necessity demanded. It describes their nomadic origins, the development of their multifaceted culture, their relations with their now famous neighbors, and the demise of their kingdom. It looks at their continued, if unrecognized, survival as Christians and farmers under the Byzantine Empire and into the early years of Islam.
Images on rocks depicting birds, serpents, deer, and other designs are haunting reminders of prehistoric peoples. This book documents Missouri's rich array of petroglyphs and pictographs, analyzing the many aspects of these rock carvings and paintings to show how such representations of ritual activities can enhance our understanding of Native American culture.
Missouri is a particularly important site for rock art because it straddles the Plains, the Ozarks, and the Southeast. Carol Diaz-Granados and James Duncan have established a model for analyzing this rock art as archaeological data and have mapped the patterning of fifty-eight major motifs across the state. Of particular importance is their analysis of motifs from Mississippi River Valley sites, including Cahokia.The authors include interpretive discussions on iconography and ideology, drawing on years of research in the ethnographic records and literature of Native Americans linguistically related to earlier peoples. Their distribution maps show how motifs provide clues to patterns of movement among prehistoric peoples and to the range of belief systems. Rock art is an aspect of the archaeological record that has received little attention, and the art is particularly subject to the ravages of time. By documenting these fragile images, this book makes a major contribution to rock art research in North America.
Neither archaeological interpretations nor commercial reproductions of rock art operate in a cultural vacuum. Both the motivation to seek out rock art and the specific meanings attached to it are deeply embedded in narratives about Native Americans already created by anthropologists, archaeologists, photographers, novelists, film and television producers, the tourism industry, and New Age discourse. For those interested in rock art as a window into indigenous cultures of the past, our contemporary projections of meanings are of great concern. Applying the tools of critical/cultural studies to both academic and popular discourse, Rogers explores the implications of such projections for rock art studies, contemporary gender dynamics, and the neocolonial relationship between Euro-Americans and Native Americans.
Examining the past, present, and future of Trinidad and Tobago’s oil and gas industries, anthropologist Ryan Cecil Jobson traces how a model of governance fashioned during prior oil booms is imperiled by declining fossil fuel production and a loss of state control. Despite the twin-island nation’s increasingly volatile and vulnerable financial condition, however, government officials continue to promote it as a land of inexhaustible resources and potentially limitless profits.
The result is what Jobson calls a “masquerade of permanence” whereby Trinbagonian state actors represent the nation as an interminable reserve of hydrocarbons primed for multinational investment. In The Petro-State Masquerade, Jobson examines the gulf between this narrative crafted by the postcolonial state and the vexed realities of its dwindling petroleum-fueled aspirations. After more than a century of commercial oil production, Trinidad and Tobago instructs us to regard the petro-state less as a permanent form than a fragile relation between fossil fuels and sovereign authority. Foregrounding the concurrent masquerades of oil workers, activists, and Carnival revelers, Jobson argues that the promise of decolonization lies in the disarticulation of natural resources, capital, and political power by ordinary people in the Caribbean.
How social media has become a critical tool for advancing the interests of the Canadian oil industry
Petroturfing presents an incisive look into how Canada’s pro-oil movement has leveraged social media to rebrand the extractive economy as a positive force. Adapting its title from the concept of astroturfing, which refers to the practice of disguising political and corporate media campaigns as grassroots movements, the book exposes the consequences of this mutually informed relationship between social media and environmental politics.
Since the early 2010s, an increasingly influential network of pro-oil groups, organizations, and campaigns has harnessed social media strategies originally developed by independent environmental organizations in order to undermine resistance to the fossil fuel industry. Situating these actions within the broader oil culture wars that have developed as an outgrowth of contemporary right-wing media, Petroturfing details how this coalition of groups is working to reform the public view of oil extraction as something socially, economically, and ecologically beneficial.
By uncovering these concerted efforts to influence the “energy consciousness,” Jordan B. Kinder reveals the deep divide between Canada’s environmentally progressive reputation and the economic interests of its layers of government and private companies operating within its borders. Drawing attention to the structures underlying online political expression, Petroturfing highlights the limitations of social media networks in the work of promoting environmental justice and contributing to a more equitable future.
What is it in peyote that causes such unusual effects? Can modern medical science learn anything from Native Americans’ use of peyote in curing a wide variety of ailments? What is the Native American Church, and how do its members use peyote? Does anyone have the legal right to use drugs or controlled substances in religious ceremonies?
Within this volume are answers to these and dozens of other questions surrounding the controversial and remarkable cactus. Greatly expanded and brought up-to-date from the 1980 edition, these pages describe peyote ceremonies and the users’ experiences, and also cover the many scientific and legal aspects of using the plant. Well written, informative, comprehensive, and enlightening, the book will be welcomed by counselors, anthropologists, historians, physicians, chemists, lawyers, and observers of the contemporary drug scene, as well as by interested general readers.
Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, Norindr shows how the exhibition’s display of architecture gave a vision to the colonies that justified France’s cultural prejudices, while stimulating the desire for further expansionism. He critiques the Surrealist counter-exposition mounted to oppose the imperialist aims of the Exposition Coloniale, and the Surrealist incorporation and appropriation of native artifacts in avant-garde works. According to Norindr, all serious attempts at interrogating French colonial involvement in Southeast Asia are threatened by discourse, images, representations, and myths that perpetuate the luminous aura of Indochina as a place of erotic fantasies and exotic adventures. Exploring the resilience of French nostalgia for Indochina in books and movies, the author examines work by Malraux, Duras, and Claudel, and the films Indochine, The Lover, and Dien Bien Phu.
Certain to impact across a range of disciplines, Phantasmatic Indochina will be of interest to those engaged in the study of the culture and history of Vietnam, Cambodia, Thailand, and Laos, as well as specialists in the fields of French modernism, postcolonial studies, cultural studies, and comparative literature.
By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.
Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context.
Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
Short-listed for the Juan E. Méndez Book Award for Human Rights in Latin America from Duke University Libraries
How do victims and perpetrators of political violence caught up in a complicated legal battle experience justice on their own terms? Phenomenal Justice is a compelling ethnography about the reopened trials for crimes against humanity committed during the brutal military dictatorship that ruled Argentina between 1976 and 1983. Grounded in phenomenological anthropology and the anthropology of emotion, this book establishes a new theoretical basis that is faithful to the uncertainties of justice and truth in the aftermath of human rights violations. The ethnographic observations and the first-person stories about torture, survival, disappearance, and death reveal the enduring trauma, heartfelt guilt, happiness, battered pride, and scratchy shame that demonstrate the unreserved complexities of truth and justice in post-conflict societies. Phenomenal Justice will be an indispensable contribution to a better understanding of the military dictatorship in Argentina and its aftermath.
The fifteen essays in this volume demonstrate the way in which phenomenological approaches can illuminate popular culture studies, and in so doing they take on the entire range of popular culture.
The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion.
Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl’s own writings.
Phenomenology’s Material Presence draws on recent work in phenomenology, embodiment, and cinema and extends the field by examining metaphysical presence in postcolonial cinema. Where other scholarship has assimilated insight from individual phenomenological thinkers, Phenomenology’s Material Presence utilizes the methods of these thinkers—Husserl, Heidegger, and Merleau-Ponty—to produce a richly textured and poetic essay that brings them into conversation. Through a meditation on three experimental videos by Trinidadian filmmaker Robert Yao Ramesar, this book makes the case that video performs an act of phenomenological inquiry. Phenomenology’s Material Presence extends our theorizing in both film studies and philosophy.
Understanding Philadelphia’s history requires that we understand that nothing is inevitable; history is not made by abstract forces, but by the decisions of real individuals as they conduct their lives. With its insightful analysis and engaging prose, Philadelphia provides an accessible and readable overview of the history of the Quaker City from its founding by William Penn to the deindustrialization and gentrification of the early twenty-first century. Roger Simon asserts that the history of Philadelphia is a story of the efforts to sustain economic prosperity while fulfilling community needs, and the continued tension between those priorities.
Philadelphia devotes considerable attention to the evolving physical development of the city and to the social conditions and class structure of the people. Three dozen maps and illustrations enrich this edition, which has been fully updated and revised to reflect new scholarship on Philadelphia’s role in the post-industrial present and the diverse communities that incorporated women and minorities into the economic and social fabric of the city.
Published in association with the Pennsylvania Historical Association
For two and a half centuries, Philadelphians have been actively involved in archaeological research. In particular, three vital and venerable cultural institutions—the American Philosophical Society (founded 1743), the Academy of Natural Sciences (founded 1812), and the University Museum of the University of Pennsylvania (founded 1893)—have nurtured the "systematic study of antiquities."
The ten essays in this volume focus on Philadelphians who were concerned with Americanist archaeology, or the "archaeology of the New World." As Europeans, and later, Euroamericans, spread across North, Central, and South America in the 16th through the 19th centuries, they encountered a bewildering variety of native peoples, customs, and languages, as well as tens of thousands of ancient ruins attesting to a long endemic culture history of obvious complexity.
The essays examine most of the key players in the development of the methods to study these phenomena. Enlightenment scholars such as Benjamin Smith Barton, Peter S. Duponceau, Thomas Jefferson, Daniel Garrison Brinton, John Wesley Powell, and Benjamin Rush all contributed to the surge of scientific study of America's prehistoric cultures. So did two pioneering women who have received scant attention to date—Sara Yorke Stevenson and Lucy W. Wilson—but whose work is well treated in this study. Other essays detail the varied contributions of C. C. Abbott, Frank Hamilton Cushing, Clarence B. Moore, Edgar Lee Hewett, and John L. Cotter. This volume should stimulate continued interest in the origins and history of archaeology and the relationship of Philadelphia patrons and institutions to scientific inquiry.
How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood’s roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, The Philadelphia Barrio examines one neighborhood’s fight to erase the stigma of devastation.
Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood.
Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, The Philadelphia Barrio presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.
Should the surprisingly successful outcomes achieved by outsider candidates in Philadelphia elections be interpreted as representing fundamental changes in the local political environment, or simply as one-off victories, based largely on serendipitous circumstances that advanced individual political careers? John Kromer’s insightful Philadelphia Battlefields considers key local campaigns undertaken from 1951 to 2019 that were extraordinarily successful despite the opposition of the city’s political establishment.
Kromer draws on election data and data-mapping tools that explain these upset elections as well as the social, economic, and demographic trends that influenced them to tell the story of why these campaign strategies were successful. He deftly analyzes urban political dynamics through case studies of newcomer Rebecca Rhynhart’s landslide victory over a veteran incumbent for Philadelphia City Controller; activist Chaka Fattah’s effective use of grassroots organizing skills to win a seat in Congress; and Maria Quiñones-Sánchez’s hard-fought struggle to become the first Hispanic woman to win a City Council seat, among others.
Philadelphia Battlefields shows how these candidates’ efforts to increase civic engagement, improve municipal governance, and become part of a new generation of political leadership at the local and state level were critical to their successes.
He examines the costs of corruption, both financial and nonpecuniary, and considers the opportunity cost that corruption imposes. Mandel explores the nature and development of Philadelphia’s unique culture of corruption, emphasizing how machine politics and self-dealing are entwined with city history, creating a culture that allows corruption to thrive. In addition, he provides practical, achievable policies and actions that can produce positive change in Philadelphia and elsewhere.
Mandel seeks to provide insight into how our collective actions or inattention give consent to the corruption, as well as its roots and effects, and the reasons for its persistence. Philadelphia, Corrupt and Consenting is a critique, but above all, it is a call to action.
Using Jurgen Habermas’s concept of a public sphere, the author reveals how the Irish constructed a plebian “counter” public of Gaelic meaning through various mechanisms of communication, the ethnic press, the meeting rooms of Irish societies, the consumption of circulating pamphlets, oratory, songs, ballads, poems, and conversation.
Settled in working class neighborhoods of vast spatial separation in an industrial city, the Irish resisted a parochialism identified with neighborhood and instead extended themselves to construct a vibrant, culturally engaged network of Irish rebirth in Philadelphia, a public of Gaelic meaning.
Every New Year's Day since 1901, the Philadelphia Mummers have presented a spectacular show of shows that raucously snakes and shimmies its way through city streets. The Mummers Parade features music, dance, comedy, and mime, along with dazzling costumes and floats. Although the lavish event is now televised to a wide audience, it is still rooted in the same neighborhoods where it began.
This book explores the community created and annually reaffirmed by the Philadelphia Mummers. The author spent more than five years with the Mummers, observing their lives and rituals as she took part in their preparations and parades. Writing with the fascination of a sociologist and the excitement of a participant, Masters examines the Mummers from their beginnings. Through the prism of their century-long history, we can see how communities retain their identities and how they are affected by larger cultural trends.
Latin America is a profoundly philanthropic region with deeply rooted traditions of solidarity with the less fortunate. Recently, different forms of philanthropy are emerging in the region, often involving community organization and social change.
This volume brings together groundbreaking perspectives on such diverse themes as corporate philanthropy, immigrant networks, and new grant-making and operating foundations with corporate, family, and community origins.
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